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Tip of the Day 23rd January 2013

3 comments
  • Nick's Blog
Jan 23 2013

Tip 10: A fairly recent phrase doing the rounds on photographic composition is that of ‘negative space’. Put simply, this means composing with a lot of ‘nothing’ in your composition; nothing usually being sky, sea or empty field perhaps. The idea is to use one key/main subject and to have the rest of the shot totally uncluttered, to allow that one key subject to breathe. The bottom line, to me, is that you are really able to hit home the subject, as it is utterly free of distractions, whilst putting that key element into its place, fairly and squarely.
Try it? Done carefully it can look very effective indeed, in either colour or monochrome.

In the shot below, taken in the Isles of Scilly, I deliberately chose the yacht to the exclusion of all else. My negative space, here, is the enormous and utterly featureless sky. Where does your eye go first? Does the negative space set the context of the shot?

Yacht at Sea - Isles of Scilly

Yacht at Sea – Isles of Scilly

« Tip of the Day 22nd January 2013
Tip of the Day 26th January 2013 »
  1. Judi Lion 

    There is certainly plenty of negative space in this one and really illustrates the concept.

    It seems to be a ‘Marmite’ concept (especially with camera club judges) as I’ve heard both good and bad comments regarding use of negative space..

    Personally I love it.

    January 23, 2013 at 4:30 pm Reply
  2. Wilton Drake 

    While utilizing a negative space can really strengthen an image, there is one thing that must be avoided. The negative space should never be allowed to overwhelm the positive space as this would serve to deteriorate the image.

    June 3, 2013 at 8:34 pm Reply
  3. Lyle Y. Gardner 

    Tip 10: A fairly recent phrase doing the rounds on photographic composition is that of ‘negative space’. Put simply, this means composing with a lot of ‘nothing’ in your composition; nothing usually being sky, sea or empty field perhaps. The idea is to use one key/main subject and to have the rest of the shot totally uncluttered, to allow that one key subject to breathe. The bottom line, to me, is that you are really able to hit home the subject, as it is utterly free of distractions, whilst putting that key element into its place, fairly and squarely. Try it? Done carefully it can look very effective indeed, in either colour or monochrome.

    June 8, 2013 at 8:11 am Reply

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